by Suzán Jiván
after Theodore A. Harris
Depictive of power
smacking with fatalities
and the rhythms
of remapped taps
as flashy fantasies
of wisecracking
evangelists
officially revamped
with the ineffable magic
of an immaculately staged
rapidly deteriorating
black bag of platitudes
hyperactively slashy
and mega-expansive
as scientific advances
rehashed as body bags
of the past...
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